{"id":554,"date":"2020-07-08T15:36:10","date_gmt":"2020-07-08T20:36:10","guid":{"rendered":"https:\/\/ecologiasdigitales.org\/?p=554"},"modified":"2020-07-08T17:39:40","modified_gmt":"2020-07-08T22:39:40","slug":"artefacto-cruza-puente","status":"publish","type":"post","link":"https:\/\/ecologiasdigitales.org\/en\/artefacto-cruza-puente\/","title":{"rendered":"Artefacto Cruza Puente: Trazos entre simbolog\u00eda andina y tecnolog\u00edas contempor\u00e1neas."},"content":{"rendered":"\n\n[et_pb_section fb_built=\u00bb1&#8243; _builder_version=\u00bb4.0.6&#8243; custom_padding=\u00bb0px|1px|1px|||\u00bb da_is_popup=\u00bboff\u00bb da_exit_intent=\u00bboff\u00bb da_has_close=\u00bbon\u00bb da_alt_close=\u00bboff\u00bb da_dark_close=\u00bboff\u00bb da_not_modal=\u00bbon\u00bb da_is_singular=\u00bboff\u00bb da_with_loader=\u00bboff\u00bb da_has_shadow=\u00bbon\u00bb da_disable_devices=\u00bboff|off|off\u00bb][et_pb_row admin_label=\u00bbOnline Learning\u00bb _builder_version=\u00bb3.25&#8243; background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb custom_margin=\u00bb-61px|auto|45px|auto||\u00bb custom_padding=\u00bb11px|0px|11px|0px|true|false\u00bb][et_pb_column type=\u00bb4_4&#8243; _builder_version=\u00bb3.25&#8243; custom_padding=\u00bb|||\u00bb custom_padding__hover=\u00bb|||\u00bb][et_pb_divider color=\u00bb#cc3366&#8243; divider_weight=\u00bb4px\u00bb disabled_on=\u00bbon|on|off\u00bb _builder_version=\u00bb3.23.4&#8243; background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb max_width=\u00bb40px\u00bb module_alignment=\u00bbleft\u00bb height=\u00bb0px\u00bb custom_margin=\u00bb||10px|\u00bb animation_style=\u00bbzoom\u00bb animation_direction=\u00bbleft\u00bb saved_tabs=\u00bball\u00bb locked=\u00bboff\u00bb][\/et_pb_divider][et_pb_blurb use_icon=\u00bbon\u00bb font_icon=\u00bb%%127%%\u00bb use_circle=\u00bbon\u00bb circle_color=\u00bb#ffffff\u00bb use_circle_border=\u00bbon\u00bb icon_placement=\u00bbleft\u00bb _builder_version=\u00bb3.24&#8243; custom_padding=\u00bb|530px|3px|||\u00bb][\/et_pb_blurb][et_pb_text text_font=\u00bb|300|||||||\u00bb text_text_color=\u00bb#666666&#8243; text_line_height=\u00bb1.4em\u00bb link_font=\u00bb||||||||\u00bb link_text_color=\u00bb#ffffff\u00bb header_font=\u00bbMontserrat|700|||||||\u00bb header_font_size=\u00bb42px\u00bb background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb custom_margin=\u00bb-20px||-1px|||\u00bb custom_padding=\u00bb0px|||||\u00bb header_font_size_last_edited=\u00bboff|desktop\u00bb header_3_font=\u00bbMontserrat||||||||\u00bb header_3_text_color=\u00bb#339999&#8243; _builder_version=\u00bb4.0.6&#8243; locked=\u00bboff\u00bb inline_fonts=\u00bbTHE BOLD FONT,Montserrat\u00bb]<h1><span>Artefacto Cruza Puente: Trazos entre simbolog\u00eda andina y tecnolog\u00edas contempor\u00e1neas.<\/span><\/h1>\n<p><span><\/span><\/p>[\/et_pb_text][et_pb_text text_font=\u00bb||||||||\u00bb text_text_color=\u00bb#666666&#8243; text_line_height=\u00bb1.5em\u00bb link_font=\u00bb||||||||\u00bb link_text_color=\u00bb#ffffff\u00bb header_font=\u00bbMontserrat|700|||||||\u00bb header_font_size=\u00bb42px\u00bb background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb custom_margin=\u00bb14px||-1px|||\u00bb custom_padding=\u00bb0px||0px|||\u00bb header_font_size_last_edited=\u00bboff|desktop\u00bb header_3_font=\u00bbMontserrat||||||||\u00bb header_3_text_color=\u00bb#339999&#8243; _builder_version=\u00bb4.0.6&#8243; min_height=\u00bb70px\u00bb locked=\u00bboff\u00bb inline_fonts=\u00bbMontserrat\u00bb]<p><span>Atravesamiento literario sobre la experiencia de creaci\u00f3n del proyecto art\u00edstico Artefacto Cruza Puente, el cual hace parte de una producci\u00f3n transmedia sobre el significado de la geometr\u00eda de la Tawa Paqa o Chakana: s\u00edmbolo compartido por diversos pueblos originarios de Suram\u00e9rica. La investigaci\u00f3n discute la visi\u00f3n del cuerpo humano como instrumento-artefacto, y propone observarlo como un laboratorio-territorio de cruce, entre el conocimiento contempor\u00e1neo &#8211; espec\u00edficamente las Tecnolog\u00edas de Improvisaci\u00f3n elaboradas por el bailar\u00edn y core\u00f3grafo William Forsythe &#8211; y el conocimiento ancestral de la Tawa Paqa; a partir del estudio antropol\u00f3gico de este s\u00edmbolo como m\u00e9todo para trazar mapas, gu\u00edas y puentes: instrumentos que sirven a la producci\u00f3n art\u00edstica, aportando a nuevas concepciones sobre tecnolog\u00eda, as\u00ed como a la divulgaci\u00f3n del conocimiento ancestral andino.<\/span><\/p>\n<blockquote>\n<p><strong>Cristian Zapata V\u00e1squez. Comunicador Audiovisual del Polit\u00e9cnico Jaime Isaza Cadavid. Actor y bailar\u00edn. Egresado de la Formaci\u00f3n de Artistas Contempor\u00e1neos para la Escena FACE (Argentina). Ha colaborado como comunicador y artista esc\u00e9nico en los grupos El Conflicto, Exfanfarria Teatro, DeAmbulantes, Tacita\u2019e Plata y Colectivo Dominio P\u00fablico. Es gestor del Proyecto Cuarto Lado y la Red N\u00f3mada Artes del Movimiento.<\/strong><\/p>\n<\/blockquote>\n<p><span><\/span><\/p>[\/et_pb_text][et_pb_video src=\u00bbhttps:\/\/youtu.be\/fUzpSamg5_o\u00bb _builder_version=\u00bb4.0.6&#8243; custom_margin=\u00bb8px|||||\u00bb][\/et_pb_video][\/et_pb_column][\/et_pb_row][\/et_pb_section]\n\n","protected":false},"excerpt":{"rendered":"<p>Cristian Zapata V\u00e1squez<\/p>","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"1080","_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"categories":[7],"tags":[],"class_list":["post-554","post","type-post","status-publish","format-standard","hentry","category-seminario"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/ecologiasdigitales.org\/en\/wp-json\/wp\/v2\/posts\/554","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ecologiasdigitales.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ecologiasdigitales.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ecologiasdigitales.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ecologiasdigitales.org\/en\/wp-json\/wp\/v2\/comments?post=554"}],"version-history":[{"count":0,"href":"https:\/\/ecologiasdigitales.org\/en\/wp-json\/wp\/v2\/posts\/554\/revisions"}],"wp:attachment":[{"href":"https:\/\/ecologiasdigitales.org\/en\/wp-json\/wp\/v2\/media?parent=554"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ecologiasdigitales.org\/en\/wp-json\/wp\/v2\/categories?post=554"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ecologiasdigitales.org\/en\/wp-json\/wp\/v2\/tags?post=554"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}