{"id":1854,"date":"2025-09-17T18:37:13","date_gmt":"2025-09-17T23:37:13","guid":{"rendered":"https:\/\/ecologiasdigitales.org\/?p=1854"},"modified":"2025-09-17T19:08:09","modified_gmt":"2025-09-18T00:08:09","slug":"3-mifa","status":"publish","type":"post","link":"https:\/\/ecologiasdigitales.org\/en\/3-mifa\/","title":{"rendered":"3\u00aa Muestra Internacional de Fotograf\u00eda Anal\u00f3gica."},"content":{"rendered":"<p>[et_pb_section fb_built=\u00bb1&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb width=\u00bb100%\u00bb max_width=\u00bb100%\u00bb module_alignment=\u00bbcenter\u00bb custom_margin=\u00bb0px||||false|false\u00bb custom_padding=\u00bb0px||0px||false|false\u00bb da_disable_devices=\u00bboff|off|off\u00bb global_colors_info=\u00bb{}\u00bb da_is_popup=\u00bboff\u00bb da_exit_intent=\u00bboff\u00bb da_has_close=\u00bbon\u00bb da_alt_close=\u00bboff\u00bb da_dark_close=\u00bboff\u00bb da_not_modal=\u00bbon\u00bb da_is_singular=\u00bboff\u00bb da_with_loader=\u00bboff\u00bb da_has_shadow=\u00bbon\u00bb][et_pb_row _builder_version=\u00bb4.27.4&#8243; 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admin_label=\u00bbHeader\u00bb _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb background_color=\u00bb#FFFFFF\u00bb custom_padding=\u00bb46px|||||\u00bb da_disable_devices=\u00bboff|off|off\u00bb locked=\u00bboff\u00bb collapsed=\u00bbon\u00bb global_colors_info=\u00bb{}\u00bb da_is_popup=\u00bboff\u00bb da_exit_intent=\u00bboff\u00bb da_has_close=\u00bbon\u00bb da_alt_close=\u00bboff\u00bb da_dark_close=\u00bboff\u00bb da_not_modal=\u00bbon\u00bb da_is_singular=\u00bboff\u00bb da_with_loader=\u00bboff\u00bb da_has_shadow=\u00bbon\u00bb][et_pb_row column_structure=\u00bb1_2,1_2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_2&#8243; _builder_version=\u00bb4.22.0&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/ecologiasdigitales.org\/wp-content\/uploads\/2025\/09\/Invitacion-3MIFA-10ED.jpg\u00bb title_text=\u00bbInvitacion-3MIFA-10ED\u00bb _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00bb1_2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_text _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#000000&#8243; text_font_size=\u00bb22px\u00bb header_font_size=\u00bb25px\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n<blockquote>\n<p><em>En esta edici\u00f3n, hemos reunido el trabajo de talentosos fot\u00f3grafos nacionales e internacionales, quienes compartieron su visi\u00f3n \u00fanica a trav\u00e9s del poder y la autenticidad de la fotograf\u00eda anal\u00f3gica.<\/em><em><\/em><em><\/em><em><\/em><em><\/em><em><\/em><\/p>\n<p><em><\/em><\/p>\n<p><em>Las obras elegidas destacan por su creatividad, t\u00e9cnica y sensibilidad art\u00edstica, demostrando la vigencia de la fotograf\u00eda anal\u00f3gica como medio de expresi\u00f3n contempor\u00e1nea.<\/em><\/p>\n<\/blockquote>\n<p>[\/et_pb_text][et_pb_accordion open_toggle_text_color=\u00bb#6600cc\u00bb closed_toggle_background_color=\u00bbrgba(133,138,227,0.26)\u00bb toggle_icon=\u00bb&#xf067;||fa||900&#8243; icon_color=\u00bb#000000&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bb_initial\u00bb toggle_text_color=\u00bb#6600cc\u00bb toggle_font_size=\u00bb17px\u00bb toggle_line_height=\u00bb1.4em\u00bb body_font_size=\u00bb15px\u00bb body_line_height=\u00bb1.8em\u00bb hover_enabled=\u00bb0&#8243; toggle_font_size_tablet=\u00bb16px\u00bb toggle_font_size_phone=\u00bb15px\u00bb toggle_font_size_last_edited=\u00bbon|desktop\u00bb border_radii=\u00bbon|10px|10px|10px|10px\u00bb border_width_all=\u00bb2px\u00bb border_color_all=\u00bbrgba(133,138,227,0.25)\u00bb border_radii_last_edited=\u00bboff|desktop\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb sticky_enabled=\u00bb0&#8243;][et_pb_accordion_item title=\u00bbSu t\u00edtulo va aqu\u00ed\u00bb open=\u00bbon\u00bb _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb custom_css_main_element=\u00bbdisplay:none\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n<p>Your content goes here. Edit or remove this text inline or in the module Content settings. You can also style every aspect of this content in the module Design settings and even apply custom CSS to this text in the module Advanced settings.<\/p>\n<p>[\/et_pb_accordion_item][et_pb_accordion_item title=\u00bbLista de obras seleccionadas\u00bb _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb hover_enabled=\u00bb0&#8243; global_colors_info=\u00bb{}\u00bb open=\u00bboff\u00bb sticky_enabled=\u00bb0&#8243;]<\/p>\n<ul>\n<li><strong>Puerto De Veracruz<\/strong>\n<ul>\n<li>T\u00e9cnica: 35 m.m. Blanco y Negro<\/li>\n<li>Participante: Scarlett Francoise Ortega Leon.<\/li>\n<li>Pa\u00eds: M\u00e9xico\u00a0<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<ul>\n<li><strong>Luz Que Persiste<\/strong>\n<ul>\n<li>T\u00e9cnica: 35 m.m. Blanco y Negro<\/li>\n<li>Participante: Alejandro Montoya torres.<\/li>\n<li>Pa\u00eds: Colombia<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<ul>\n<li><strong>Amigos<\/strong>\n<ul>\n<li>T\u00e9cnica: 35 m.m. a Color<\/li>\n<li>Participante: Luis Antonio Landero Ruiz.<\/li>\n<li>Pa\u00eds: M\u00e9xico<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<ul>\n<li><strong>Ausencia<\/strong>\n<ul>\n<li>T\u00e9cnica: 35 m.m. intervenci\u00f3n<\/li>\n<li>Participante: Catherine Rivera Romero.<\/li>\n<li>Pa\u00eds: M\u00e9xico<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<ul>\n<li><strong>Burradas<\/strong>\n<ul>\n<li>T\u00e9cnica: 35 m.m. Color<\/li>\n<li>Participante: Omar P\u00e9rez Antonio.<\/li>\n<li>Pa\u00eds: M\u00e9xico<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<ul>\n<li><strong>Canciones<\/strong>\n<ul>\n<li>T\u00e9cnica: 35 m.m. a color, intervenci\u00f3n digital<\/li>\n<li>Participante: Andr\u00e9s Felipe Ot\u00e1lvaro Mu\u00f1oz.<\/li>\n<li>Pa\u00eds: Colombia<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<ul>\n<li><strong>Cuando La Naturaleza Se Encuentra<\/strong>\n<ul>\n<li>T\u00e9cnica: 35 m.m. color<\/li>\n<li>Participante: Paola Ortiz.<\/li>\n<li>Pa\u00eds: M\u00e9xico<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<ul>\n<li><strong>Cuerpo De M\u00e1rmol &#8211; 2025<\/strong>\n<ul>\n<li>T\u00e9cnica: 35 m.m Blanco y Negro<\/li>\n<li>Participante: Sebasti\u00e1n Vargas S\u00e1nchez<\/li>\n<li>Pa\u00eds: M\u00e9xico<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<ul>\n<li><strong>De La Serie Expansi\u00f3n De Medios Para Captura E Impresi\u00f3n Fotogr\u00e1fica<\/strong> Carlos Suarez Quiceno\n<ul>\n<li>T\u00e9cnica: Impresi\u00f3n t\u00e9rmica<\/li>\n<li>Participantes: Carlos Suarez Quiceno.<\/li>\n<li>Pa\u00eds: Colombia<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<ul>\n<li><strong>De La Serie Palmira Ef\u00edmera<\/strong>\n<ul>\n<li>T\u00e9cnica: Clorotipia<\/li>\n<li>Participante: Valentina Valencia M\u00e9ndez.<\/li>\n<li>Pa\u00eds: Colombia<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<ul>\n<li><strong>De La Serie, Raspachin.<\/strong>\n<ul>\n<li>T\u00e9cnica: Instalaci\u00f3n Fotogr\u00e1fica<\/li>\n<li>Participante: Daniel Escobar V\u00e1squez.<\/li>\n<li>Pa\u00eds: Colombia<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<ul>\n<li><strong>De La Serie, Rizoma.<\/strong>\n<ul>\n<li>T\u00e9cnica: Cianotipia sobre tela \/ Fotograf\u00eda estenopeica de gran formato fotograma<\/li>\n<li>Participante: Valentina Gonz\u00e1lez Henao.<\/li>\n<li>Pa\u00eds: Colombia<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<ul>\n<li><strong>De La Serie-En B\u00fasqueda De Lo Latente<\/strong>\n<ul>\n<li>T\u00e9cnica: fanzine Fotogr\u00e1fico<\/li>\n<li>Participante: Luis Fernando Hern\u00e1ndez Villanueva.<\/li>\n<li>Pa\u00eds: Colombia<strong><\/strong><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<ul>\n<li><strong>De La Serie-La Segunda Muerte<\/strong>\n<ul>\n<li>T\u00e9cnica: Intervenci\u00f3n a \u00e1lbum familiar de fotograf\u00eda an\u00e1loga a color y en blanco y negro.<\/li>\n<li>Participante: Juan Camilo Restrepo Baena<\/li>\n<li>Pa\u00eds: Colombia<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<ul>\n<li><strong>De La Serie-Sue\u00f1os De Maestros<\/strong>\n<ul>\n<li>T\u00e9cnica: Fotografia 35mm + Film sopu + Alteracio<\/li>\n<li>Participante: Rennier Ligarretto &#8211; Grupo de investigaci\u00f3n In novum educatio<\/li>\n<li>Pa\u00eds: Colombia<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<ul>\n<li><strong>De Nuevo Al Para\u00edso<\/strong>\n<ul>\n<li>T\u00e9cnica: 35 m.m. color<\/li>\n<li>Participante: Martin de Jes\u00fas Acevedo Hern\u00e1ndez.<\/li>\n<li>Pa\u00eds: Colombia<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<ul>\n<li><strong>Deber Ser Femenino<\/strong>\n<ul>\n<li>T\u00e9cnica: Foto serigraf\u00eda a 3 colores.<\/li>\n<li>Participante: Ana Mar\u00eda Guti\u00e9rrez Fern\u00e1ndez<\/li>\n<li>Pa\u00eds: Colombia<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<ul>\n<li><strong>Dos Veces Tu<\/strong>\n<ul>\n<li>T\u00e9cnica: plata gelatina<\/li>\n<li>Participante: Alessandro M\u00e1rquez<\/li>\n<li>Pa\u00eds: Colombia<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<ul>\n<li><strong>Dualidad De La Ciudad<\/strong>\n<ul>\n<li>T\u00e9cnica: 35 m.m. blanco y negro<\/li>\n<li>Participante: Daniel Cruz Loaiza.<\/li>\n<li>Pa\u00eds: Colombia<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<ul>\n<li><strong>El Ni\u00f1o Colonizador<\/strong>\n<ul>\n<li>T\u00e9cnica: 35 m.m. blanco y negro<\/li>\n<li>Participante: Manuela Alejandra Orozco<\/li>\n<li>Pa\u00eds: Colombia<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<ul>\n<li><strong>Escaleras De Sol<\/strong>\n<ul>\n<li>T\u00e9cnica: 35 m.m. blanco y negro<\/li>\n<li>Participante: Kamila Espinoza<\/li>\n<li>Pa\u00eds: Colombia<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<ul>\n<li><strong>Guadalajara<\/strong>\n<ul>\n<li>T\u00e9cnica: 35 color<\/li>\n<li>Participante: Litzy Karina Jacome Escalante<\/li>\n<li>Pa\u00eds: M\u00e9xico<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<ul>\n<li><strong>La Barca<\/strong>\n<ul>\n<li>T\u00e9cnica: La Barca<\/li>\n<li>Participante: Carla Caiceros Palacios<\/li>\n<li>Pa\u00eds: M\u00e9xico<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<ul>\n<li><strong>La Frontera<\/strong>\n<ul>\n<li>T\u00e9cnica: 35 m.m. blanco y negro<\/li>\n<li>Participante: Mois\u00e9s campo El\u00edas coral Ceballos<\/li>\n<li>Pa\u00eds: Colombia<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<ul>\n<li><strong>Mar Obsidiana<\/strong>\n<ul>\n<li>T\u00e9cnica: 35 m.m. color<\/li>\n<li>Participante: \u00c1ngel Uriel Temiquel Arellano<\/li>\n<li>Pa\u00eds: M\u00e9xico<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<ul>\n<li><strong>Melancol\u00eda<\/strong>\n<ul>\n<li>T\u00e9cnica: 35 m.m. blanco y negro<\/li>\n<li>Participante: Fernando Villanueva.<\/li>\n<li>Pa\u00eds: M\u00e9xico<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<ul>\n<li><strong>Piel De Sal Pt. 5 -2025<\/strong>\n<ul>\n<li>T\u00e9cnica: 35 m.m. blanco y negro<\/li>\n<li>Participante: Ana Mar\u00eda Cavazos Morales<\/li>\n<li>Pa\u00eds: M\u00e9xico<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<ul>\n<li><strong>Ra\u00edces<\/strong>\n<ul>\n<li>T\u00e9cnica: 35 m.m. blanco y negro<\/li>\n<li>Participante: Brenda Silvina Rodr\u00edguez Cort\u00e9s<\/li>\n<li>Pa\u00eds: M\u00e9xico<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<ul>\n<li><strong>Raspach\u00edn<\/strong>\n<ul>\n<li>T\u00e9cnica: Dispositivo \u00f3ptico cin\u00e9tico de proyecci\u00f3n de imagen animada. Policarbonato, electr\u00f3nica y \u00f3ptica Dimensiones: 90 x 60 x 40 cm<\/li>\n<li>Participante: Daniel Escobar V\u00e1squez<\/li>\n<li>Pa\u00eds: Colombia.<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<ul>\n<li><strong>Reflejos Fragmentados<\/strong>\n<ul>\n<li>T\u00e9cnica: 35 m.m. color<\/li>\n<li>Participante: Frida Sof\u00eda Solano Morales<\/li>\n<li>Pa\u00eds: M\u00e9xico<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<ul>\n<li><strong>Retrato De La Mexicanidad<\/strong>\n<ul>\n<li>T\u00e9cnica: 35 m.m. blanco y negro<\/li>\n<li>Participante: Enrique Eduardo Lara Quijano<\/li>\n<li>Pa\u00eds: M\u00e9xico<strong><\/strong><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<ul>\n<li><strong>Sororidad<\/strong>\n<ul>\n<li>T\u00e9cnica: 35 m.m. blanco y negro<\/li>\n<li>Participante: Mar\u00eda Fernanda Arredondo Vargas<\/li>\n<li>Pa\u00eds: M\u00e9xico<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<ul>\n<li><strong>Todos Cargamos Una Cruz<\/strong>\n<ul>\n<li>T\u00e9cnica: 35 m.m. blanco y negro<\/li>\n<li>Participante: Daniel Ocampo Morales.<\/li>\n<li>Pa\u00eds: M\u00e9xico<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<ul>\n<li><strong>Un Gigante Mira A Otro (Manhattan NY, febrero 2024)<\/strong>\n<ul>\n<li>T\u00e9cnica: 35 m.m. blanco y negro<\/li>\n<li>Participante: Nancy Rubi Cruz Toxtega<\/li>\n<li>Pa\u00eds: M\u00e9xico<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<ul>\n<li><strong>Una Sonrisa En La Ventica<\/strong>\n<ul>\n<li>T\u00e9cnica: 35 m.m. blanco y negro<\/li>\n<li>Participante: Laura Natalia Fl\u00f3rez<\/li>\n<li>Pa\u00eds: Colombia<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>[\/et_pb_accordion_item][et_pb_accordion_item title=\u00bbArtistas internacionales invitados\u00bb _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb hover_enabled=\u00bb0&#8243; global_colors_info=\u00bb{}\u00bb open=\u00bboff\u00bb sticky_enabled=\u00bb0&#8243;]<\/p>\n<ul>\n<li><strong>Gonzalo Puch.<\/strong>\n<ul>\n<li>Obra: \u00abTodo es lo mismo lo que cambia es la\u2026 \u00bb .<\/li>\n<li>Pa\u00eds: Espa\u00f1a.<\/li>\n<\/ul>\n<\/li>\n<li><strong>Alexander Gross.<\/strong>\n<ul>\n<li>Obras: \u00abVom Weg abkommen\u00bb, \u00abA visual dialogue between marina vibot\u00bb.<\/li>\n<li>Pa\u00eds: Espa\u00f1a.<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>[\/et_pb_accordion_item][\/et_pb_accordion][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>En esta edici\u00f3n, hemos reunido el trabajo de talentosos fot\u00f3grafos nacionales e internacionales, quienes compartieron su visi\u00f3n \u00fanica a trav\u00e9s del poder y la autenticidad de la fotograf\u00eda anal\u00f3gica.<\/p>","protected":false},"author":1,"featured_media":1856,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"2880","_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"categories":[30],"tags":[],"class_list":["post-1854","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-10-ecologias-digitales"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/ecologiasdigitales.org\/en\/wp-json\/wp\/v2\/posts\/1854","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ecologiasdigitales.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ecologiasdigitales.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ecologiasdigitales.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ecologiasdigitales.org\/en\/wp-json\/wp\/v2\/comments?post=1854"}],"version-history":[{"count":3,"href":"https:\/\/ecologiasdigitales.org\/en\/wp-json\/wp\/v2\/posts\/1854\/revisions"}],"predecessor-version":[{"id":1861,"href":"https:\/\/ecologiasdigitales.org\/en\/wp-json\/wp\/v2\/posts\/1854\/revisions\/1861"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ecologiasdigitales.org\/en\/wp-json\/wp\/v2\/media\/1856"}],"wp:attachment":[{"href":"https:\/\/ecologiasdigitales.org\/en\/wp-json\/wp\/v2\/media?parent=1854"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ecologiasdigitales.org\/en\/wp-json\/wp\/v2\/categories?post=1854"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ecologiasdigitales.org\/en\/wp-json\/wp\/v2\/tags?post=1854"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}